![]() Plato carries his Timaeus, one of the many books in which he says the temporal world is always perishing and thus less than fully real. ![]() In the painting’s focal center, Raphael shows Plato and Aristotle striding toward the viewer as they argue. Visually, The School of Athens presents philosophy as a large-scale communal enterprise carried on within a vastly larger world. Raphael’s homage to classical philosophy puts humans in their place-central, but dwarfed by the context. For me, the room functions as a compelling visual counterargument to what my Baptist upbringing and academic training had both assumed about the triviality of human imagination and the irreconcilability of Christianity with philosophy. Painted archways link the four frescoes into a visual whole which depicts reason, revelation, and imagination as collaborators-a conviction shared by most educated Christians for millennia. Literature and law face one another on the room’s shorter walls. Its most famous fresco is The School of Athens, which takes up the long wall across from Raphael’s tribute to theology. Now thousands of tourists pass through it, giving Raphael’s frescoes only a passing glance. The room was designed as a papal library where frequenters would read and reflect as their imaginations were saturated with its images. That hunger is no small part of why the Room of the Segnatura struck me forcefully when I first visited the Vatican in my late 40s. Read our latest issue or browse back issues.
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![]() Displaying disrespectful actions, engaging in inappropriate behavior, or subjecting others to harassment will warrant an immediate permanent ban.ĭon't post questions already answered.We thrive by embracing the ethos of volunteerism, operating towards the betterment of others. 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He genuinely seems to like them and shows appreciation for their hard work and support, only having to be strict with them a few times. Unlike most other criminal masterminds and their usual doctrine of abusing their henchmen, Gru gets along famously with the minions. Minions have standard English names (see below). They can be pesky when they are doing weird interactions with other people, animals, or objects they are also famous for their gibberish-speaking language. They are impulsive creatures with little self-control, but with a wide-eyed wonder and odd innocence that endears them to viewers and makes them relatable. (left to right) Jerry, Kevin, Stuart, Dave and Carl having an ice cream party from Despicable Me 2 All the minions are supporting characters in Minions (with the exception of Kevin, Stuart, and Bob), major characters in Despicable Me and Despicable Me 2 and supporting characters in Despicable Me 3 (with the exception of Mel). They are much childish in some ways, yet they seem to be very intelligent in certain aspects. Frequently, they speak in an incomprehensible language, called Minionese, occasionally switching to English. They bring much of the comedy in the film, and they are known as the scene-stealer of the movie. They are the deutertagonists in the Despicable Me series, as well as the official mascots for Illumination. The Minions are small, yellow, capsule shaped creatures, who have one or two eyes that were created by Eric Guillon (though there is a running joke- thanks to Karalynn Dunton- that it was Phineas and Ferb co-creator, Dan Povenmire). ![]() Each time you make an adjustment, you’ll see that the Stabilization restarts, but the analysis won’t have to. You can also control the counter movements of the Warp Stabilizer on the frame by adjusting the Method, which uses different tracking to find stability with different degrees of complexity. It will produce artifacts (strange, unwanted effects) if your camera was actually in motion, like filming from a car. This setting mimics the look of having set the camera on a tripod. When selected, the Crop Less Smooth More function is disabled in the Advanced section. No motion: This attempts to remove all camera motion from the shot.When selected, Smoothness is enabled to control how smooth the camera movement becomes. Smooth motion (default): This retains the original camera movement, but makes it smoother.Values above 100 require more cropping of the image. Lower smoothing values are closer to the camera’s original motion while higher values are smoother. You’ll see a tradeoff between cropping and smoothing. Start by using the sliders to adjust the degree of stabilization and cropping. ![]() Gain greater control over the intended stabilization result in your video editing by adjusting Stabilization settings. Making fine adjustments to Stabilization. If those two methods still aren’t enough, you might need to make finer adjustments. Crop Less Smooth More is much more responsive, as it doesn’t require a restabilize phase. Under Advanced Settings, reduce either the Smoothness or Crop Less Smooth More function. ![]() (Note: When selected, the Auto-scale section and Crop Less Smooth More property are disabled. Using Stabilize Only allows you to crop the footage using other methods. Stabilize Only shows how much work is being done to stabilize the image. This displays the entire frame, including the moving edges. Inspect what the Stabilizer is doing by changing the setting to Stabilize Only under the Framing menu. If you see things that aren’t quite right, here’s what to do: If the result is good, you’re done with stabilization. Or Warp Stabilizer might zoom in to keep your clip edge to edge in spite of these adjustments. This means your frames might rotate, lift, slide over, or lower. The Warp Stabilizer does its job by tracking different points in the frame and performing complex counter-movements to the footage. If the stabilizing caused you to lose some edge material you wanted, you can also adjust the frame to get it back. ![]() If your clip finishes stabilizing and parts of it look woozy or wobbly, it’s been over-smoothed. While the Warp Stabilizer is a smart and powerful tool, you might notice aspects in the stabilized video that you need to tweak. Once the Stabilizer has finished working, you can examine your work and make adjustments to ensure the video features everything you need to see in the shot. Step 4: Adjust the stabilization for the look you want. Now you have two clips from the same file that can be edited independently. Use the keyboard shortcut Command/Control + K (for Mac or PC, respectively) or choose Timeline › Split Clip. Then, drag the playhead to the frames where you want to make the split. Drag a marquee to select clips on different tracks that overlap at a point in time. If you want to split clips where two or more clips or tracks overlap in a timeline, you’ll need to switch to the Expert View Timeline. Splitting and moving the video without the audio may cause your audio to go out of sync elsewhere. If you want to split the audio with the video, make sure the audio track is highlighted too. Make sure the channels you want to split are highlighted. To split clips, move the playhead to the points in the tracks where you want to make a split. Then, run Warp Stabilizer only on those shortened clips. To help with this, first identify the shaky portion of the footage and then split the clip to isolate those shaky parts. Once Warp Stabilizer completes the stabilizing stage, Premiere Pro returns to the normal state. While it lets you continue working in Premiere Pro during processing, it will be a little slower. Warp Stabilizer is a memory-intensive and time-consuming operation. Step 2: To maintain good performance, split your clip into the smallest working area. |
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